Erwecken Sie 'La vida es hoy' zum Leben: Ihr KI-Musikvideo-Generator wartet auf Sie

0:00–0:18 — Intro (ambient “Ah, Ah… Oh, oh…”) Location: Dawn light in a simple workshop/taller (wood, tools, guitar cases). Dust motes in sunbeams. Shot 1 (0:00–0:07): Macro: fingertips on nylon strings, slow push-in. Camera: 50–85 mm, handheld with micro-jitters. Shot 2 (0:07–0:12): Light bokeh drifting like soft pulses (in-camera prisms or glass). Shot 3 (0:12–0:18): CU Federico eyes closed, slow breath. Mood: arriving in the present. Transition: Luma fade from warm highlight. 0:18–0:47 — Verse 1 (“Un día supe al despertar…”) Theme: time/impermanence, heartbeat of moments. Shot 4: MS singer seated, classical guitar; window backlight rim. Slow slider right. Shot 5: Insert: analog clock second hand; shallow DOF; slight rack focus to a framed photo. Shot 6: CU right hand arpeggio synced to syllables. Visual cue: Subtle pulse (2–3% scale) on downbeats to suggest “latido.” Transition: Match cut on strum to next scene. 0:47–1:14 — Chorus 1 (“Ser más humano… la vida es hoy”) Theme: give love / receive love. Shot 7: WS: singer front-lit by soft key; gentle lens flare. Shot 8 (B-roll vignettes): A hand holding a door for a stranger. Sharing mate/coffee on a stoop. A kid’s smile; a passerby returns a dropped scarf. Camera: 35 mm handheld, naturalistic. Typography (later for social cut): faint lyric overlay “La vida es hoy” (script, 10–15% opacity). Transition: Whip pan to next verse. 1:14–1:42 — Verse 2 (“Vi la belleza en la imperfección…”) Theme: wabi-sabi, cracks, emotion’s light. Shot 9: Macro of a cracked wooden surface with golden kintsugi line catching light. Shot 10: CU teary laughter; authentic micro-expressions. Shot 11: Sunlight refracted into soft prismatic streaks on the guitar top. Transition: Cross-dissolve via highlight flare. 1:42–2:10 — Chorus 2 (repeat) Amplify: slightly wider framing, more air and movement. Shot 12: Steadicam arc 180° around singer; organ pads swell. Shot 13 (B-roll): Tender hug; someone feeding a stray dog; a craftsman repair. Beat: On “la vida es hoy,” brief 8-frame white flash/flare accent (very soft). 2:10–2:36 — Solo (harmonica + classical guitar, syncopated) Look: blue-teal shadows with warm key; rhythmic cutting. Shot 14: ECU harmonica, breath condensation in light cone. Shot 15: Split-diopter style (or faux in post): hands on guitar & harmonica silhouette. Shot 16: Inserts of city passing lights (night bokeh), cut on eighth-notes. Transition: Hard cut on last bent note to Bridge CU. 2:36–3:00 — Bridge (“¿Quién soy yo?…”) Theme: questions → light, attitude of love. Shot 17: CU eyes; reflections of window lights. Shot 18: WS silhouette against open door to morning light (symbolic “solo luz”). Shot 19: Hands offering/receiving (no faces), slow 24→18 fps ramp (micro slow-mo). Transition: Iris-in from bright doorway. 3:00–3:28 — Verse 3 (“Un pequeño gesto puede brillar…”) Theme: small gestures shine. Shot 20: Macro: smile lines; flare kisses lens. Shot 21: Real candid: someone leaves a note “Gracias” on a bench. Shot 22: Singer half-smile mid-verse; honest, unposed. Transition: Match cut on pick attack. 3:28–4:12 — Double Chorus (x2, second more intense) Build 1 (3:28–3:50): Shot 23: Slider push-in; soft particles drifting (dust). Shot 24 (B-roll): Montage of previous kindness moments intercut rhythmically. Build 2 (3:50–4:12): Shot 25: WS: singer stands, steps toward window; camera gently booms up. Shot 26: Golden kintsugi line glows subtly brighter on key chords. Final hit: On last “la vida es hoy,” brief slow-shutter streaks (1/30). 4:12–4:30 — Outro (vocals ad-libs “La vida es hoy…”) Shot 27: MS: guitar rests; sustained organ pad. Shot 28: Hands close the workshop door; light remains. Shot 29: Title card “La vida es hoy — Federico Gerhardt” (elegant script + serif), minimal, centered. End: Ambient room tone; natural fade to black. Production Notes Cinematography 24 fps, 1/48–1/60 shutter; occasional 1/30 for dreamy smears. Lenses: 28/35 mm (environmental), 50 mm (intimate), 85–100 mm macro (inserts). Camera movement: mostly gentle slider/handheld/mini-gimbal arcs. Lighting Practical window key (soft diffusion), negative fill on shadow side. Warm practicals (2200–2700 K) + subtle haze for volumetric beams. One edge light to “gild” kintsugi/particles. Art Direction Natural wood, tools, textiles; one visible classical guitar stand; harmonica on cloth. Golden line element (tape/paint) for kintsugi prop—tasteful and minimal. Wardrobe/Makeup Earth tones, cotton/linen textures; no heavy patterns; natural skin sheen. Audio/Sync Prioritize live-feel performance takes for CU shots; keep finger squeaks/breaths. Wild track room tone for intro/outro. Post & Grade Edit to transients; use J-cuts to flow into B-roll. Grade: warm highlights, gentle teal lift in shadows, soft halation on speculars. Add micro pulse (1–2% scale) synced to kicks/low strums in choruses. Lyric supers only for social cut (sparse, elegant). Deliverables Master: 4K 16:9 (ProRes HQ). Social: 60 s teaser (9:16 & 1:1), 15 s reel with chorus hook, thumbnail with title/artist. Budget-Aware Variants No-budget: single location (workshop), natural light + one LED panel, handheld/slider only; rely on inserts/macros for visual richness. Mid: add haze machine, small gimbal, Steadicam arc, second location for city bokeh night. Plus: anamorphic set, additional extras for kindness vignettes, controlled studio for organ/harmonica coverage.